Animal Wise: ‘Guides’ sheds light on difficult subjects

Photo by MabelAmber:Pixabay(Photo by MabelAmber/Pixabay)

As much as Susan Chernak McElroy gets it right with Animals as Teachers and Healers (Ballantine Books, 1997), she gets right to the heart with Animals as Guides for the Soul (Ballantine Books, 1998).

This follow-up is not only a worthy exploration of the relationship between humans and animals, but also a potentially transforming walk through some of the thorniest aspects of these relationships.

8482McElroy, who has worked as a technical writer and editor as well as in several animal-related occupations, writes largely from her experience on a small Wyoming farm. Insights from people who wrote to her after reading her previous book are included.

I appreciate so much in Guides for the Soul, but here are three primary take-aways.

The first is that the healing benefits of our relationships with animals are often subtle, but no less powerful. It isn’t always the spectacular, tossing-away-the-cane miracle with the therapy dog. More often, it’s the steady warmth of the cat curled up on the patient’s lap or the jingling of tags along a quiet country road day after day. Sometimes the miracle is only seen in hindsight.

“We are so conditioned to expect drama and heroics in healing that we forget the staggering importance of all the healing that goes unseen,” says McElroy, a cancer survivor. (Check out this wonderful six-minute video about two guys — one a morbidly overweight human, the other a middle-aged rescue dog — who healed each other.)

What if, she asks, we were to believe that the being at the end of the leash, in the cat carrier, or on a perch could heal by his or her very presence, offering exactly what is needed in every moment? That the dog nuzzling a crying adult was administering critical emotional first aid, or the horse heard the bullied teen as no one else could? Is that so far off the mark?

Second, McElroy delves into the rocky territory of death in a way that can benefit anyone who has lost a much-loved animal, particularly when the loss is accompanied by shame and guilt. These experiences and memories, however long ago, stick to us until we acknowledge their multilayered impact, she says.

Quoting respected authors on pet loss as well as people confronting long-buried grief and remorse, she offers perspective and tools for healing. However, she is respectful enough not to put forth easy answers. The stories of McElroy’s precious llama, Phaedra; and Jody Seay’s elderly black Lab friend McKenzie, are likely to bring both a tear and a spark of hope.

Finally, even when the animals involved are not our own, what can we do when we witness the inexplicable and cruel? When McElroy was about 11, a young coyote with his mangled leg still dangling in a steel-jaw trap was part of a wildlife exhibit at a nearby park. Day after day, he lay in a rusting wire cage with no food or water. She pleaded with the park rangers to care for the coyote. They ignored her. She begged her parents to do something, wrote to the local paper, and contacted the town mayor and her family’s veterinarian.

No adult would intervene until she called Mrs. Roberts, the mother of a friend, who picketed the park. The exhibit shut down within a week. The coyote made the front page of the local paper and was released to Mrs. Roberts, whose veterinarian husband helped care for the coyote in a backyard pen. Months later, Mrs. Roberts drove the coyote to the desert and released him back into the wild.

“She reminded me that although it was she who freed the coyote, it was I who had brought the coyote to her attention. At the age of eleven, I learned that one person can stand up against suffering and make a difference,” McElroy recalls.

We should all have, or be, a Mrs. Roberts.

Animal Wise: Fit for a queen

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For a delightful tribute to Dash (and Tori, who plays him), visit the New Hampshire PBS site. (Photo courtesy New Hampshire PBS)

If you are a fan of the “Victoria” series and have not seen Season 2, Episodes 3 and 4, you may want to stop reading here. Even if you have seen it, it wouldn’t hurt to have a tissue handy.

How many twenty-somethings today could rule a nation? Before you answer that, let’s revise the question to: How many twenty-somethings of any era could rule a nation without the love, companionship, and guidance of a wise soul? I’m not talking about Prince Albert or Lord M, but Dash, Victoria’s Cavalier King Charles Spaniel, who was her constant companion from her isolated girlhood into the beginning of her life as a queen, wife, and mother.

Dash (played by Tori, who had the same role in the 2009 movie “The Young Victoria”) appears in many scenes with Victoria, usually in her lap, on her bed, or on a nearby chair. This is a dog who knows his place, and he observes everything that goes on and listens to all that is said (and unsaid) by his beloved human. There is nothing one would not do for the other — not for personal or political gain, but purely for love and perhaps the occasional treat. He was the one being in the world who did not care about her parentage or power. Dash cared simply and honestly for Victoria — not by doing, but by being.

Shouldn’t everyone with a country, corporation, or consciousness to run have that? Especially during the almost-adult to stuff-just-got-real-adult transition. Pepper, a miniature Schnauzer mix, saw me from eighth grade to my early journalism career and almost through graduate school. When I imagine those years without her, I see a lot more sadness and judgement and a lot less growth, acceptance, and fun. One little dog made a big difference for me and the people and animals around me to this day, and I’m no queen.

When it became apparent at the beginning of the episode that Dash may not be doing so well, I braced myself, but of course the tears flowed when he died. I love his epitaph:

His attachment was without selfishness,
His playfulness without malice,
His fidelity without deceit,
READER, if you would live beloved and die regretted, profit by the example of DASH.

A sweet, perceptive two-minute video about Dash can be seen on the New Hampshire PBS website.

The initially crusty, but increasingly insightful Duchess of Buccleuch becomes the conduit, in Episode 4, for a new puppy entering the queen’s orbit. An unauthorized leak in the royal bedchamber points to the need for a bit of training for the pup, but we are left assured that Victoria’s education will continue.

 

What our grandmothers leave us

51pCIyD8BvL._SX331_BO1,204,203,200_Something in Fredrik Backman’s My Grandmother Asked Me to Tell You She’s Sorry made me think of the classic Truman Capote short story, “A Christmas Memory.” You have a young child and an older relative who are each other’s best (or only) friend. It’s essentially the two of them against the world until they are confronted by larger forces — in the Capote story, Those Who Know Best; and in Backman’s 2015 novel, by the grandmother’s death and the puzzle she leaves behind.

This novel was translated from the Swedish by Henning Koch. Whenever I read a translation (whether it’s the Bible or anything else), the language purist in me always wonders how differently it read in its original language, and how the author meant for this word or that phrase to function. At no point does the novel read as if the translator wasn’t quite sure how to convey something in English. The language feels so authentic to the story and characters that, if I could read Swedish, I’m guessing it would be spot on.

Elsa is seven going on forty. She is different. Her teachers say she needs to try harder to fit in, and she is relentlessly bullied by other children. She lives in an apartment building with her mum and stepdad, who have a baby (whom she calls Halfie) on the way. Mum’s mum, Granny, lives in the same building. She is the kind of crazy that climbs zoo fences, shoots paintball guns at door-to-door evangelists, and more. You wonder how she’s functioned in the world for her seventy-some years, but this is a retired medical doctor who has traveled the world and saved untold lives. The building’s other tenants are an assortment of scary, mysterious, or annoying neighbors. So it seems like any urban apartment building in the world.

Granny and Elsa have their own secret language, one that stems from Granny’s stories of the mythical Kingdom of Miamas and the Land-of-Almost-Awake, places where being different is standard operating procedure. Theirs is a life that makes sense, if only to the two of them.

Then Granny dies, leaving her granddaughter with a series of apology letters to deliver. In the midst of her grief and disorientation, Elsa now has an important job to do.

Her mission takes her first to a reportedly vicious dog and a germ-phobic loner who will become the Scarecrow and Tin Man to her Dorothy. Or the Ron and Hermione to her Harry, as Elsa is a Harry Potter fan. Then, one by one, she delivers the letters and discovers not only the stunning connections among her building’s oddball residents, but their connection to Granny — and to Elsa. Their stories are much like Granny’s tales of Miamas, which at first “only seemed like disconnected fairy tales without a context, told by someone who needed her head examined. It took years before Elsa understood that they belonged together. All really good stories work like this.”

Pearls and secret family recipes are great, but a sense of connection to what was, what is, and what can be is one of the best things a grandmother can leave her granddaughter. Granny, with her messy, maladjusted life, bats this one out of the park, as does Backman with this book.